| The 
              museum is currently closed for major renovations. Please check back at a later date for our reopening time.
 As published by The New York Times - Friday October 16, 1998AUTOS ON FRIDAYS/Collecting
  History From a Rearview MirrorBy Jamie Lincoln Kitman
 SYRACUSE
 
 FOR Walter Miller, the history of the automobile is about much more 
              than just motor vehicles. "There isnt a person living 
              in America today whose life wasnt influenced or shaped by 
              the automobile, Mr. Miller recently told visitors to the unorthodox 
              automotive museum he founded here last year. Its the single-most-important 
              invention of our time. Or any time.
 But dont expect to see the usual menagerie of mint-condition 
              Thunderbirds, Stutz-Bearcats and Sting Rays; Mr. Miller doesnt 
              believe that the vehicles themselves reveal as much about us as 
              do the toys, publications and other accessories that are associated 
              with the auto industry. In fact, there are no cars on display at the Museum of Automobile 
              History in downtown Syracuse, which houses one of the largest collections 
              of automotive memorabilia and art. The building at 321 North Clinton 
              Street, just off Clinton Square, is adorned with 20 authentic full-color 
              billboards -- each 20 feet wide and 10 feet high, advertising American 
              marques of 1940s and 1950s -- that set the tone for 
              the idiosyncratic, but mesmerising, show inside.  Every inch of the 12,OOO-square-foot museum is filled with items 
              like oil paintings, styling models and sketches and rare advertising 
              pieces, including a complete set of Burma-Shave rhyming road signs. 
              Racing memorabilia, auto gadgets and showroom posters also figure 
              prominently in the sprawling display, whose scope encompasses a 
              newspaper account of a proto-automobile demonstration from the 1770s 
              and late-model designer renderings from Detroit. Mr. Miller, 43, says a childhood interest in automotive history 
              and world travel led him to a successful business as a dealer in 
              automobile literature. His museum, for example, displays an interesting 
              series of correspondence between the Japanese auto maker Toyota 
              and Jeny McCullough, a former stylist for the Ford Motor Company 
              who collected automotive sales brochures from around the world. Following a request to Toyota for literature on Aug. 31, 1948, 
              Mr. McCullough received the following reply dated Oct 7: In 
              this war-devastated Japan, we are having a hard time keeping up 
              our production. It is very difticult for us to get information on 
              the latest developments in the automotive industry around the world. 
              We are deeply interested in the manufacture of American automobiles 
              and trucks. Kindly send us automobile and truck catalogues. Perhaps equally curious is a letter received by the late Duesenberg 
              expert, J. L. Elbert, who had amassed a large collection of automobile 
              sales literature, which Mr. Miller purchased in the 1970s. 
              Mr. Elbert had written to Honda in Japan in 1962, hoping to obtain 
              brochures about its first line of automobiles, only to be told: 
              We are very sorry to advise you that we are not in a position 
              to offer our car to market, therefore, we have not prepared the 
              information on the new Honda automobile. Decades later, the 
              prospects of these one-time upstarts, which now operate huge plants 
              in the United States, have clearly improved. Between 10 A.M. and 5 P.M. on Wednesday through Sunday, one can 
              wander the museums aisles without a plan or follow a route 
              that moves chronologically through the Age of the Automobile, beginning 
              in the 18th century. Admission is $4.75 for adults; $3.75 for seniors, 
              and $2.75 for children. Hundreds of hours of radio ads and jingles 
              are broadcast over the museums loudspeakers, enhancing the 
              nostalgia. The following are among the highlights of the collection: 
             
              
                 A copy of the speeding ticket given to the actor James Dean 
                  just two hours be fore he was killed in a crash on Sept. 30, 
                  1955. 
                An original poster for the 1895 Paris-to-Bordeaux Race and 
                  the Paris Automobile Exposition, one of the first car races 
                  and the first auto show. 
                Original Art Deco renderings done by automotive stylists for 
                  the Cadillac V 16 and Sunealist Cadillac prints by Salvador 
                  Dali. 
                Original United States patents for the Daimler-Benz and Duryea 
                  automobiles. 
                Psychedelic showroom posters for Plymouths and Dodges from 
                  1969 and 1970. 
                The Car-B-Que, a 1958 auto accessory that allowed motorists 
                  to cook hot dogs in their moving vehicles. 
                Walter Chrysiers 1924 registration for the tirst Chrysler 
                  and his driver's license.  In storage rooms beneath the museum galleries, Mr. Miller has piles 
              of unsorted material, ranging from Ford company archives from the 
              late 1940s (they apparently left Detroit with a disgruntled vice 
              president) to job-lot stocks of Opel Kadett sales material to film 
              strips aimed at helping DeSoto dealers bolster sales This clearly is a place where history arrives by the crate load 
              almost daily. |